Explaining

Early in the time my family converged at my niece's home to process the approaching death of my sister Martha, several people were around her in the curtained alcove her daughter Bonnie created for the hospice bed. She was still conversing with visitors at this stage, though she sometimes wandered. Bonnie and Kathryn (the sister I came with) was helping her with a garment, and I heard her say something that caused some mistaken assumptions about my sister complaining. It's not that she didn't complain, or have a lot to complain about, but they were mistaken and I had to correct them. A minute or two later, I called Kathryn and Bonnie over and explained.

The lady of the house comes home at midnight. She pulls the long cord, and a moment later, her butler appears. "Madame?"

She speaks in a low voice. "Charles. Please remove my wrap." "Yes, Madame."

"Charles, I'd like you to unzip my dress." "Yes, Madame."

Garment by garment, it continues. Then: "That will be all, Charles." "Very good, Madame."

"And, Charles?" "Yes, Madame?" 

"Don't ever let me catch you wearing my clothes again." 

 See, they thought she was complaining, but she was actually quoting the punch line of a story she'd told me when she was about ten, and it was important that they know what she was saying. Punch lines were our life. Also, it was a good story, so.

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Hospice Dad

 

Comforted by bed, blankets, and morphine,
He dreams of ninety-eight years.
From cabins to tents to farms to town,
Mastering piano as a performer,
Supporting a family on a musician's pocket
And an entitled sportsman's distractions.
When he wrote of his memories, some time back,
He didn't mention any of us. We were in his life
But we didn't do much to speak of.

In perpetual not-quite-retirement,
Building boats, he found his milieu.
He was popular, part of the conversation.
Then the strokes started subtracting him,
Shock by shock, never finishing the job.
He came back from it each time
Always diminished but still unreeling,
Still unwinding, years of string, floss, threads of past events,
Loosed and spun away from the shrinking core
Until his final bit flakes off on a breeze
And he goes from being more here than gone
To being more gone than here,
Remembered by the ones he forgot.
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A Timely Tip

Playing piano at Minicon about 15 years ago. Photo by Tony von Krag.

When you're learning to play a piece--on the piano, in this case--it's helpful to learn the melody by humming or whistling or la-la-la-ing. This piece of advice from my father, a piano teacher, has turned out to be very useful recently. Makes me wish Dad had told me years earlier. Or at all.

As it happens, I got this pointer from my sister, to whom Dad told it decades ago. Dad tried twice to teach me and we apparently came up with a mutual unspoken deal where I'd struggle by myself for years and he'd occasionally offer me a suggestion that would usually prove useful, though not as useful as learning to finger, or acquiring basic harmony knowledge. After I finally started spending my own money for lessons, Mr. Diebel (I expect his proper title was Dr., but I never heard it used or requested) patiently addressed the worst of my deficiencies, ignoring my utter helplessness from his friendship with Dad. Dad once asked him what the main thing was he'd taught me, and Diebel answered by putting five fingers on his arm and saying "One, two, three, four, five." When I came to him, I acquired most notes by moving my hand. When we moved out of state a year or so later, I was about where a second or third-year student might be, provided nobody asked any theory questions, including "what key is this in?"

Fortune and decision brought me to theory. First, I noticed the existence of the Irish jam on Cathy's campus and started going. I tried playing my tiny backpack keyboard, but it was nigh inaudible in the room full of fiddlers and accordionists. I brought my accordion in (never learned the bass notes) and sight-read on that for a while before buying a five-octave keyboard with full-sized keys I could play. That led to a feeling of obligation toward those chord names over the tune sheets we used, and I started filling in, first with just the roots of the chords, then block chords, and finally comping. That's when a light bulb in my head said "You should take theory now, before you graduate." So I took four semesters off my art major and just took the sequence, not even for credit. I had some questions early on which my teacher answered by having me sit in on the aural training class concurrent with the theory cycle. 

I figured I knew enough theory from osmosis that I could start the class without a semester of "this is your finger and this is a note," and I was almost wrong but got through it with a simple trick I've mastered of clenching my entire head and keeping it that way until a problem seems to solve itself. The theory homework had the side effect of teaching me legible musical writing, which worked out because I also started writing some pieces of music in the same format we used in the jam. The class and sessions are the best musical education I've received, and I wish I'd done it decades earlier. 

I was talking to a couple of friends in the group (dang! I have friends here.) about playing outside the sessions to do other kinds of music. Suddenly, people started getting Covid and parts of society shut down, including all campus activities like ours (mostly peopled by non-college folks). My friend and I exchanged mp3s for a while, then started meeting under extremely careful conditions. After two years and change, we pick up new pieces pretty quickly (the tough ones take longer), often making our own non-virtuoso arrangements for the purpose. That's when Martha mentioned the bit about humming.

Who knows if I could have taken music theory earlier? I had one theoretical sort of class in Georgia but was trying to do math and computers and art. Would I have shrugged it off like my first (and second) lessons? Would Dad's pointer have taken root if he'd told it to me himself? Who sawed Courtney's boat? 

I'm taking away from this exactly what I'm getting: a tip that makes it even easier at a time when it's continually getting easier. With any luck, I'll get up to Michigan in the Fall and have a chance to show Dad how my playing is going, and mention that I'm using his tip. There's some baggage lying around that I don't feel like picking up. It'd just slow me down anyway, and nothing in it's of any real value. 

Left foot. Right foot. Am I there yet? 

Repeat.

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FIFTEEN MINUTES

 I've had fifteen minutes of fame. In fact, more. I reckon I had some fame when I was in community theatre, and someone recognized me at a gas station, as having been in that play, so that's a couple of minutes right there. I got a bit of additional fame when Gordon Garb took out a dignified ad in the Westercon program book in 1985, stating that "West Coast fandom welcomes Kip Williams, President and Founder of the New Pals Club, and President of the Kip Williams Clean Plate Club."

 

[image: Steve Purcell color drawing of Sam & Max, with plates. Martin "Bucky Starr" Cameron was feeling like he should do something about a thing, so he bought Purcell some pizza and directed him to create this gorgeous Prismacolor opus in my honor.]

I got some more fame when Dave Sim, Pal #6 of the New Pals Club, saw me for the second time, the first having been when we'd lived in Houston (where I signed him up for New Pals with a hearty "Hi! Let's be Pals!"). This time it was in Virginia, and I was able to give him another mailing in person, and because of that, he used a pair of photos from the event on the back of an issue of Cerebus, which I keep thinking was somewhere near #111. He thoughtfully ID'd me in a caption: "Say, isn't that the famous Kip Williams, founder of the famous New Pals Club?" or something very similar.

Another jolt of fame came via by good friend Harry McCracken, some time in the 90s, when my visage was included to help pad an article on eBay users who collect stuff. I held up a laser disk of NIGHT OF THE HUNTER and moved microscopically this way and that at the behest of the professional photographer Harry engaged, long-distance, to get the pic for PC WORLD, where Harry worked. There's a somewhat famous issue of NEWSWEEK from this time where an American athlete did a victory move in her sports bra. Brandi Chastain, as I have verified, looking good. Anyway, they wanted an advertising supplement for it, and used the PC WORLD article, trimmed down a bit--but still including the memorable pic of me holding the disk, utterly oblivious to the perfect reflection the photographer got me to pose with.

So that's some more fame, there. There was one other time when Harry, by then at TIME, used me for an article he'd written on people quitting Facebook. It was around 2015, and the story was typeset on pages with ads and all, then something big happened in the world that required that exact amount of space, as things will do, and now all that remains is some PDF images of those set and unpublished pages, real in some ways, and in others amounting to little more than a MAD parody of the thing.

I'm not counting every time I've been on a stage as fame, though maybe I should at least count those very gratifying times when circumstances made me into a figure that audiences looked at for their entertainment, and received value for their choice. If I think of any more times I was getting famed, I'll add it in here, but I think I'm up over forty minutes by now.

I wrote, in New Pals, about my first fifteen minutes of fame. The first five were incredible! A thrill ride! The five after that were still okay, though it was starting to be stressful, and I learned too much about a very good friend. I really clung to the last five, but they ticked inexorably away. A minute before it was all over, I found Jesus, who offered me some very sage advice which I don't have time for at the moment. I'd allowed fifteen minutes to write this, and it's about gone.

I once thought it would be grand to have a curtained glass window with a money slot next to it. You put in $5 or whatever, and the curtain would part, and Andy Warhol would be there, just standing. He might glance at you. After fifteen seconds, the curtains would close again. Andy's gone now, but someone could impersonate him, or it could be someone else who has had or is having their fifteen minutes. Manning the booth for a shift would be part of the price you pay for that fame.

Redrafted slightly, and could well be redrafted again, from a promising fruit of the 'fifteen minutes each day' writing exercise with sis Kathryn Morski during a wonderful visit.

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Here Lies Somebody

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Not long after moving here, I was looking at a cemetery about a mile from our house, and found the grave of a likely relative. Likely, because (according to The Babbitt Family History), almost all Babbitts in the US were related, and traced back to Edward Bobet — with the exception of a few who had come into this country as immigrants with names the officials couldn't or wouldn't write, and who found themselves and their descendants dubbed with the surname.



It was possible to read the name on the stone: "Nathaniel Babbitt." The soft sandstone held other faint lines, but between their weak grip on the stone and the encroaching lichens, I couldn't make out any dates. I guessed that it was one of the oldest stones in the Pioneer Burying Ground, which began use just before 1800. I pored over a copy of the family history. Not the copy my grandmother had, but a scan of a library copy that I found online. Archive.org was probably the source of it. First, I tried to read the text conversion of the book, which as full of errors due to unchecked mechanical character recognition and problems with columns and footnotes. It turns out, though, that the scanned PDF version is fully searchable and looks great.

I soon found out that the family history is chock full of Nathaniels, and not knowing exactly when to look was also a handicap. I searched on Pittsford, and found references to other Babbitts, as well as to Pittsford, Vermont, which I've found is the town that the one here in New York was named after. Since this town was called Northfield at the time the cemetery was begun, I searched that as well. Guess which other state has a Northfield where Babbitts lived. Yes. Vermont. Curse you, Vermont!



By 2011, the growth across the face of the stone had expanded. I wondered if taking a brush to it would do more harm than good. I wondered if there were any descendants still in town — or in other nearby towns. The history mentioned Babbitts in other towns in the state, ranging from a few miles away on the shore of Lake Ontario to the other side of Syracuse. I tried calling a Babbitt in the phone book, leaving a voice message that hasn't been returned yet. I stopped by the Town Hall and learned that the town historian comes in for a few hours a week on Thursday afternoons, and took down her information. Months later, I remembered in time to give her a call.

She had some interesting information for me. Going to her records, she told me that the stone is not marking the resting place of Nathaniel Babbitt, but that of his wife, Anna, born 1782, died 1806 (June 1806, though the stone apparently once claimed 1804 in error). She was aware of the condition of the grave, and didn't think there was anything that could be done about it by this time.



Looking at my earliest photos, I could now trace some of the letter shapes in 'ANNA' in the gray-green overgrowth. I could even discern in the gentle curves beneath Nathaniel's name the likely location of "1782" and perhaps "June." She mentioned a Babbitt family that she used to know in town, on Clover Street. The father's name was Arlo or Arliss, the daughters were Donna and "Betty" (short for Elizabeth). Donna moved to Iowa, Betty passed on.

Time has been hard on the graves, particularly those carved in soft sandstone. The oldest is unreadable now, and is part of a row of undecipherable white slabs. I thanked her for the information, which was more than I expected, even though I had been fairly sure she'd have access to records. With or without records, she knew the graveyard, and its stones, very well. I felt like I'd been taking up a lot of her time, so I didn't ask about the small stones piled up at the back of the yard. They are probably footstones that became separated from their original graves.

I still don't know how I may be related to these people. Mom died in 2008, and wouldn't have been able to tell me anything anyway for at least a decade before then. Her last surviving sister, the oldest of her generation, died last year, and her widower wouldn't be much interested in that side of the family (he apparently has Grandma's copy of the family history, which may have notes written in it that I'd like to see). My sisters and I are interested in seeing what we can figure out, but it may be too late to do a lot of that by now. Too bad. The internet makes parts of it very easy to do.
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well, I'm back



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Oh, yeah, we're back from China. Flickr photoset here (~340 pix):
Shorter flickr photo subset here (~120 pix) because nobody's going to look at the long one. Both have captions that narrate the trip somewhat. If things are too obscure in the short set, refer to the long one and see if that helps. Or comment and I'll explain at length. Really.
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for Family Day (March 24)

On March 24, 2003, in China's Anhui Province, Cathy and I stood in a conference room at the Hefei Holiday Inn. Late in the morning, somebody handed us a thirteen-month-old girl named Xi Huan, who we renamed Sarah.

In honor of the occasion, here are some reprints from my Live Journal.

@ 2006-02-07 18:04:00

questions

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I waited at the door with the camera tonight, to get a picture of the last time my three-year-old daughter came in after school. Tomorrow she'll be a big four year old. I took a couple of shots. Sarah demanded a tuna sandwich. I managed to get a word in, to tell Cathy I'd finally heard back from the insurance people, and we weren't covered for vandalism. "Angie's grandpa died," announced Sarah.

I expressed sympathy. She asked why he died. "Probably because he was old," I said carefully. We proceeded into the den.

She asked me what other reasons people die. "Well," I ventured, "sometimes if they're in a really bad accident, or if they get really, really sick." I didn't want her to think you die from just any sickness. "I hope you don't die," she said. "Give me a tuna fish sandwich!"

I parried the sandwich gambit. We were having supper soon. She wanted me to accompany her to the bathroom. She continued her inquiries. "Why do people die when they get old?" I tried to explain without scaring her, which she so far wasn't. This was a matter of curiosity. "Well. When we get really old, our bodies wear out."

"Why?" "Everything wears out if it gets old enough," I suggested.

"Like what?" "Well, cars..."

"And trucks!" "Yes..."

"And fire trucks." She was on a roll. "Yes, and..."

"And cars!" "That's right." "Why do they wear out?"

I tried to explain that our bodies repair themselves, but when they get really, really old, they can't do that any more. I still wasn't telling her that everybody dies, everything dies. Like my dad's cousin Marilyn, who lost her battle with cancer this past weekend; but Sarah never knew her, and now she never will. It's too bad, because she was a good relative -- she had been a real support for my sister Martha years ago, when Martha was diagnosed with colitis.

My answers seemed to satisfy Sarah, who was now more interested in something to eat. I told her it was too close to dinner for a tuna sandwich, but she "couldn't wait!" We settled on some more of the orange she'd started yesterday, as long as I removed the yucky parts. I turned my attention to making food. Cathy came downstairs. Death talk, for now, was over.

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@ 2006-02-15 18:56:00

the other shoe drops

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Tonight at dinner, Cathy remarked that Andreas Katsulis had died. I said I'd heard that. Sarah chimed in: "Angie's grandpa died." We said we were sorry.

"Why did he die?" Sarah asked, still looking for information. This time Cathy fielded it. "People die when they get very, very old," she said. "Their body can't repair itself any more."

"I don't want to die," said Sarah in a small voice. Uh-oh. It had hit home this time.

"Oh, honey, you won't die! Not for a long, long, Long time!" Cathy assured her.

"And you won't die?" She looked at Cathy, and then me. She seemed to see us, maybe for the first time, as people who could die.

"No, honey. Not for a long, long time," said Cathy.

"We have to take care of you!" I added, "And we love you."

I looked at her beautiful, dark eyes. She was very quiet, and I couldn't tell where she was looking. I put my hand on her shoulder and leaned closer. "Ow," she said, half-heartedly.

We told her again that we loved her. Then the conversation somehow changed to other topics. The room felt a little colder as we finished our mac & cheese.

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@ 2006-04-30 21:43:00

bedtime lines

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"Sarah, take these dead flowers off your bed. They don't belong there." Referring to some wild flowers (aka weeds) she picked out of the yard just before I mowed it.

"They're not dead. They're alive."

"They were alive when you picked them, and now they're dead."

"Well, they're not dead to me!"

* * *

"I have tattoos on my toes. You can't see them because they're under the skin, but I can feel them."

@ 2006-04-08 13:40:00

boxes

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Sarah and I were on our way to get a bagel (for her) and a souffle (for me) at Panera's. As we passed the cemetery on King's Highway, a backhoe was digging a new grave. Sarah said something about people in boxes that I didn't quite catch. I asked her what she said.

"That's where there's people in boxes in the ground that are dead." she told me.

So she knew. I hadn't ever volunteered the information that the cemetery was full of deceased people in boxes, but she had learned it somewhere. I confirmed the accuracy of what she had said. "There's a whole bunch of them by my school," she went on. Indeed there were. Her pre-school is across the street from a very large graveyard. I have a photo I took of it while I was backing out of my parking space there -- I took it in the rear-view mirror, with the words "OBJECTS IN MIRROR ARE CLOSER THAN THEY LOOK" showing. It seems that she picked up the information about cemeteries at school. Lucky me! The stuff I'm leery of telling her, she picks up on the street, as it were. We drove past another one, and she said, "There's some more people in boxes."

Then we went to Panera's, and she had a plain bagel with plain cream cheese, and our morning continued.

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@ 2006-05-23 22:19:00

sensations

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The fact, as of today, that Sarah has a couple of caterpillers in a cup with a vented top on it, and a stick and some leaves, fills me with a strange feeling. I don't know what it is. Is it that I remember doing this? That she's now old enough that she's doing things I remember doing? I just don't know. She's such a kid, you know?

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@ 2006-05-29 23:23:00

she wants

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Sarah's wants are simple. She wants the bed we looked at today, with a ladder up to the top and a desk and dresser underneath (and some shelves). And she wants a slide that goes around three times (actually two), like the one at Stanley Park. We explained that these things are very expensive. She counters that the slide costs a couple of dollars, and she is willing to contribute her own money (that is, the change she picks up here and there in the house). Whichever parent she is talking to, she cites the other parent as an authority who has okayed the whole deal.

Anybody want to buy some of our old furniture? Cheap.

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@ 2006-06-10 08:53:00

in the car

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Sarah and I were driving home from the playground yesterday.

Sarah: I want to take a bike ride when I get home!

Me: Well, I'm kind of tired from the playground right now.

Sarah: Can I take a bike ride with Mommy?

Me: I don't know. We'll have to ask her.

Sarah: (hideously loud) MOMMY! CAN I TAKE A BIKE RIDE WITH YOU WHEN I GET HOME? I CAN? THANKS!

Sarah: She said yes.

Me: Really? I didn't hear her.

Sarah: (again loud) MOMMY! CAN I --

Me: Shhh.

Sarah: Okay.

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@ 2006-06-11 21:22:00

motherhood

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It was so touching when Sarah put two caterpillars in a cup, with a stick, and leaves for them to eat. It brought back a lot of memories somehow, and the feeling of innocence that the bugs will eat the food you give them, and prosper. I was encouraged when one of them spun a cocoon (the other one apparently didn't make the grade -- or perhaps it was more successful in its escape attempts -- in which case it didn't meet any enviable fate anyway).

Then as time went on, I started to wonder just how long a thing like that is supposed to take. Were we peering in, every couple of days, on a sarcophagus instead of a cocoon? Just today we went to try and look up the information online, but we didn't know exactly what kind of caterpillar we had anyway.

Tonight as I was helping Sarah get to sleep, Cathy came in with news. The cocoon was now empty. A moth had emerged, so recently it still hadn't gotten around to flexing its wings. Sarah and I took it out on the porch and watched it continue to sit on the edge of the cup for a while. "I'm cold," Sarah said, so we went inside.

I'm hoping the moth will get it together and be gone by morning, off to a life of success. At least it made it farther than those poor butterfly wannabees I saw in sixth grade -- the younger sibling of a classmate had disturbed the chrysali early, and there were these wretched insects that weren't what they were supposed to be, vainly trying to ready their wings for the flight they'd never have. I've never forgotten those poor things, and I'm glad Sarah's caterpillar didn't share their fate. "I wanted it to be a butterfly," she said sadly, little realizing her accomplishment.

Thanks, moth, for making it.

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@ 2006-07-04 18:58:00

sarah on relatives

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We're driving to the McDonald's in Holyoke.

"Grampaw is your daddy."

"That's right, sweetheart."

"Your daddy is my grampaw."

"Right."

"Grampaw loves you."

"Yes, he does."

"Grampaw loves me."

"That's right."

"He loves me more than you. He told me so."

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@ 2006-07-06 18:34:00

bye bye flowers

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Sarah picked some fluffy blossoms -- tiny thistles, maybe? -- at the Fourth of July celebrations. The next day at school, she picked a bunch more and brought them home. We let her bring these "flowers" in and left them on the counter.

Tonight she noticed them again. "Oh no, they're dying!" she said. Then I think she wanted to water them. I told her they were dying already, because flowers don't live a whole long time after you pick them. While I continued to get supper ready, she decided she would take them outside, "so they can live."

"Honey, they're already dead. They..." Never mind. I stopped with the explanation. She was already on the move. I helped her open the back door, and she tossed them out onto the back steps. "Bye bye, flowers," I said, respectfully.

She turned back to me, sadly. "I let them go," she said.

I picked her up and hugged her and patted her on the back, remembering as I did those early days in China. Picking up our daughter -- literally, a little stranger -- and holding her and patting her gently, rhythmically on the back. And then I felt something: one of those unbelievably tiny hands was patting me on the back.

"I'll never let you go, honey," I said.

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@ 2006-07-23 12:32:00

morning of a child

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Last night, for some reason, Sarah just wouldn't go to sleep peacefully. She finally surrendered to Morpheus between 11:30 and midnight. But she seems to have gotten up around her normal time today.

She and I got in the car to go have our biscuit -- actually, to go to Panera's. About four blocks from home, she was singing part of the theme from one of the Disney channel shows.

"Everybody knows it when push comes to shove

Nothing feels better than FEELING THE LOVE.

"Everybody knows it when push comes a shove

Nothing feels better than FEELING THE LOVE.

"Everybody knows at when push a push shove

Nothing feels better than FEELING THE LOVE.

Everybody knows it when (very carefully here) push, comes, to, shove

Nothing feels better than FEELING THE LOVE!"

"Sarah, please don't sing the same thing over and over."

"I have to practice! I'm going to be in a band and I have to practice over and over to learn the song right!"

"Yeah, but..." She was using my words against me. I hate it when she does that. I tried to get her to do it more quietly, and she went on singing. I turned up the music. So did she.

We had a pretty normal time at Panera's. She got a cup of fruit to eat. Then she wanted to go to the bathroom, and when we got there, after elaborate preparations, decided she didn't have to go after all. We washed and went back to finish our breakfast. After that, we decided to go up to Holyoke and see if the merry-go-round was running. The Children's Museum doesn't open on Sunday any more -- apparently, not enough people were coming, so they decided to make it even harder to find the place open. That's sure to increase attendance. The merry-go-round was running, and we took a ride together. After that, I had two tickets left, and Sarah wanted to ride some more. I said she could ride by herself, and she did, both times on the carriage/bench seats. I ran back to the car to take pictures and a movie of the historic occasion. Big girl!

Next we played in the playground there in Heritage State Park. Mostly, she played while I took photos. I tried out the ultra-big picture mode of the camera. I haven't looked at the pictures yet. Sarah noticed some weeds with little clusters of white flowers on them, and bent down to grasp one. "I'm picking..." she started, then let go of it. "I'm leaving it in the ground," she said. I wanted to hug her.

Then she wanted to take some pictures, so I told her she had to put the camera strap on her neck to keep from dropping the camera, and she took pictures of the pretty buildings -- brick factories and mills that line the upper canal.

Holyoke actually has three canals. I never have noticed the third one, though I saw what looked like the start of a third. I learned by browsing some local history books at Barnes & Noble that the reason for the upper and lower canals was to provide energy for water wheels. That means the arch-like openings on the upper side of the lower canal weren't entryways, but places for mill water to exit. This all fascinates me, as do the somewhat timeworn brick buildings and the virtually deserted streets they sit on. I need to go back during the week some time and take several hundred pictures.

We walked along the canal toward Dwight Street, then crossed the street so she could get a picture of the bridge-like construction that carried a water pipe across the canal. Viaduct? Then I wanted to take a couple more pictures, since I hadn't been at that vantage point before. I clicked a few, including Open Square, where I once applied for a job in vain, and where Gary Hallgren, one of my personal favorite underground cartoonists, has a shop/studio, which I keep intending to go see during the week some time. The camera beeped that the card was full, so we went back to the car. I took a different route back to the highway to see more shuttered factories, and then we reached home and told Cathy about Sarah riding the horses by herself.

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ps: There's a certain amount of morbidity in the selections. It reflects that particular time in our life when she was figuring that stuff out. And here's a recent pic from last month or so:

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family day

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Six years ago, on the other side of the planet, they handed us a baby. I am still awed that such a thing could happen, no matter how many forms we filled out, biographies we wrote, pictures we took, fingerprints we allowed, interviews we underwent, and months we waited. They gave us Sarah. Thanks, China. Thanks, everybody.



Thanks, Cathy, for your diligent and committed work on getting it all done right. Thanks, Sarah, for being a great kid. Thanks, Frances, for being such a kid-tolerant cat.

My heart, as they say, is full.
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